Circles of Focus

Christine Borland, Brody Condon

Research output: Non-textual formExhibition


Circles of Focus presents – for the first time – the results of a collaborative research project by artists Christine Borland and Brody Condon that explores human body donation as a tool for artistic research and practice. Open air fired ceramic sculptures, performance documentation, and legal paperwork presented in the CCA Galleries function as a proposal to potential body donors whom the artists have worked with over the past two years. Borland and Condon imagine a contemporary approach to death and dying by suggesting the anonymous body after death could be a site of ambiguity and expression.

Extensive research and collaboration with a local potter and experimental archaeologist in Orkney has led to the artists developing sculptural works from large amounts of earth shipped from the islands. This raw material has been made into workable clay through a laborious local process involving the addition of fat, sand and animal hair, then fired in mounds according (as far as can be proven) to Neolithic methods. The pieces entangle the historical and contemporary relationships with materials that are encountered in funerary as well as everyday rituals.

As part of a series of events surrounding the exhibition, informal ‘rehearsals’ at CCA will document the abstract traces transferred from the sculptures to the skin of carefully positioned living bodies, in a manner similar to the process known as hypostasis - which describes how the surface of the body, after death, retains imprints from the objects it touches. Using this forensic methodology, often employed in crime scene analysis, the artists make an aesthetic proposal for the physical remains of the donors.

The Circles of Focus project, through sculpture, performance research and practice, binds the material body to the social imagination embodied across law, medicine, archaeology and death itself.
Original languageEnglish
Place of PublicationGlasgow, UK
PublisherGlagow Centre for Contemporary Arts
Publication statusPublished - 3 Apr 2015


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