In recent years scholars have explored the geopolitics of spectacle in exciting ways. While tourism presents a rich opportunity to think about the intersection of geopolitics and spectacle, only a small but growing number of researchers have explored this area where state-society relations unfold in complex ways. This article draws on this work and other traditions in feminist political geography and non-representational theories to explore the embodied geopolitics of a festival and its tourist landscape in the city of Chiang Mai in northern Thailand. As such, we glimpse a complex set of geopolitical relations at play in the multiple spaces of the Yii Peng Festival. A closer look at the Festival with the theoretical tools proposed here helps reveal ongoing geopolitical forces that shape its many contours, including a multiplicity of difference.