Analysing the materiality of theatre, Cormac Power uses Brecht to analyse the modernist idealisation of the (supposedly) direct perceptual relationship between audience the material immanence of the actors onstage. Power’s essay closes the chapter on textual materiality but also provides insights into the discussion which follows on aspects of immateriality, which covers the translation of the intangible to the tangible.
|Title of host publication
|Material Worlds: proceedings of the conference held at Glasgow University 2005
|R. Moffat, E. de Klerk
|Place of Publication
|Published - Sept 2007